Glass breaks, then becomes art. In this Everett glass fusing session at FEELartistic Studio, you’ll learn the hands-on steps to break glass and turn your design into a contemporary 6-inch fused glass tile. It’s an easy fit if you’re brand-new or if you want a refresher.

I especially love the mix of structure and freedom. You get step-by-step guidance through techniques, then you build your own layout using a library of transparent and opaque color glass.

One heads-up before you book: your piece gets fired after class, so you’ll typically wait a few weeks for pickup or shipping rather than leaving with the finished tile in your hands.

Key highlights worth knowing before you go

• Small group size (max 6): more attention while you learn the breaking and arranging basics.
• Beginner-friendly format: open to all, with clear instructions for first-timers and refresher students.
• You design with real materials: you’ll cut, break, and place your own colorful glass pieces.
• Dozens of color options: choose from transparent and opaque glass for layered looks.
• Firing happens after class: your final tile is ready for pickup or shipping in a few weeks.

Checking in at FEELartistic Studio (Everett, WA)

Your session starts at FEELartistic Studio at 10333 19th Ave SE STE 101, Everett, WA 98208. The vibe here is practical and welcoming—think workshop energy, not museum quiet. If you’re traveling from Seattle, Everett is a short hop across the waterline and it’s a handy option when you want an activity that’s still very hands-on but not a full-day commitment.

Check-in is simple. You’ll use a mobile ticket, and the class is offered in English. The studio is also listed as near public transportation, which matters because this isn’t the kind of class you want to stress about getting to right on time.

Two things to keep in mind as you arrive:

• You’re there to make something, not just watch. Come ready to use tools and follow safety guidance.
• You’ll leave with a design that still needs firing, so plan your expectations around the wait time.

What you’re making: the 6-inch fused glass tile

This workshop centers on one straightforward goal: create a 6-inch square contemporary fused glass piece. That size is great for a first session. It’s big enough to see patterns clearly once fired, but small enough that the class stays doable in about 1 hour 30 minutes.

Each participant receives the basic starting materials, including a six-inch square clear glass base and the tools/supplies needed for cutting and breaking. After that, the magic is the same idea every good glass fusing student learns early: you’re not trying to build a picture in one perfect “piece.” You’re designing with broken glass so the colors and shapes work together once they fuse.

Tools, materials, and colorful glass: where the class gets fun

During the initial portion, you’ll get everything you need and hear the intro on how the process works. You’ll also get access to dozens of colorful glass options, including both transparent and opaque pieces.

That detail matters more than it sounds. Transparent colors tend to glow and layer, while opaque pieces give stronger blocks of color. In practice, that means you can choose how you want your tile to look:

• more airy and layered
• or bolder and more graphic

If you’re the kind of person who thinks in colors (not just shapes), this part is where you’ll feel the class “click.” People often walk away remembering the selection table—the range is part of the entertainment value, not just a supply list.

Breaking glass and building your design with step-by-step guidance

Here’s the core activity: you’ll break the clear glass into small pieces and then use those fragments to design on the flat base. The class structure is designed so you’re not stuck guessing. You’ll get:

1) an introduction,

2) demonstration of techniques, and

3) step-by-step support as you make your own layout.

An instructor named Jay is specifically called out for wonderful instruction, and that kind of teaching style shows up in how these classes are usually run—clear directions, patience while you get the hang of tool handling, and help when your first few pieces don’t look like the diagram.

A practical tip for your brain: treat the breaking like a puzzle with a purpose. Aim for a variety of small chunks rather than trying to force one huge dramatic shape. Your final look comes from the mix—big and small pieces, and then how the colors sit against the clear base.

Also, expect the class to move in real time. You’re working through your design as the session progresses, so keep your energy up. If you get stuck, ask. In a group this size, you can get coaching without it turning into a long wait.

Arranging colors on clear glass: making it look intentional

After you start breaking your glass pieces, you’ll focus on arranging them on top of the clear base. This is where your design choice turns into the finished product’s personality.

You’ll likely use a combination of:

• the broken glass you create,
• and the colored pieces from the studio’s selection.

The studio setup supports experimentation. You can change your mind partway through and adjust your layout before firing. That’s a big deal for beginners, because your first instinct might be to copy something you’ve seen online. But with fused glass, the layout that survives firing best is usually the one that feels balanced in real life—where there’s a place for every color chunk to show.

One small consideration: some class feedback notes that you might want even more color variety. The studio does provide “dozens” of options, but if you have a very specific palette in mind—say, only jewel tones or only pastels—arrive with at least a rough idea so you can steer the selection quickly once you see what’s available.

From class to finished tile: firing, pickup, or shipping

When your design is done, the key moment arrives: the studio will fire your flat tile shape creation. That means your pattern changes from “pieces sitting on glass” into a fused surface where shapes meld and colors settle.

Important expectation setting: your tile is not finished when you leave. It’s ready for pickup or shipping in a few weeks. So you’re essentially touring two timelines:

• you make it during the session
• and you receive the finished piece later

This delay is normal in kiln-fired glass work, and it’s part of the value: the studio handles the firing so you don’t have to guess kiln settings or timing. You get the fun hands-on part, and then the technical part is taken care of offsite.

If you’re thinking about bringing this home as a gift, plan ahead. It’s a “future you” present, not a same-day souvenir.

Price and value: is $79 worth it?

At $79 per person for about 1 hour 30 minutes, you’re paying for a full workshop experience that includes:

• your starting clear base glass,
• cutting/breaking tools and supplies,
• access to a large selection of colored glass,
• instructor guidance and support through the process,
• and kiln firing afterward.

That’s what makes the price feel fair. Many creative workshops charge for the lesson alone. Here, you’re not just learning—you’re also producing a real, sized piece of artwork (a 6-inch square tile), and the studio does the part you can’t easily DIY at home.

Also, the session is capped at a maximum of 6 travelers. Small group instruction is usually where value shows up: more time to ask questions, more chances to get help if your first attempt at breaking or arranging doesn’t feel right.

For most people, $79 is a reasonable “pay once, make something real” cost—especially if you’ve ever wished adult life came with kid-level creative permission.

Who this is perfect for (and who might want something else)

This workshop is a good fit if you want:

• a beginner-friendly activity that doesn’t assume prior experience,
• a structured class with enough guidance to keep things smooth,
• and a creative outlet that feels hands-on, not abstract.

It’s also a nice choice if you’ve taken a beginning class before and just want to refresh technique. The structure is built to help you learn the core steps again without making you feel like you’re starting at zero.

If you’re traveling with friends or family, the small group size helps keep it social without chaos. And the studio allows service animals, which is a meaningful practical note if that applies to your planning.

Who might not love it:

• If you need instant gratification, remember the firing timeline. Your artwork is made during class, but you’ll wait for pickup or shipping.
• If you’re expecting a vast “gallery” of materials beyond what’s provided, think of this as a focused workshop rather than a craft expo.

Practical planning tips before you book

A few simple choices can make your experience feel easier:

• Wear clothes you don’t mind getting a little “workshop touched.” Glass work can be messy around edges, even when the studio does things carefully.
• Come ready to focus for the full 1.5 hours. This class is timed, and your piece depends on finishing and handing it over for firing.
• If weather affects your travel schedule, keep flexibility. The experience notes a good weather requirement, and if it’s canceled due to poor weather, you’ll be offered another date or a full refund.

Also, since it ends back at the meeting point, you won’t need a complicated plan for transportation afterward. Just plan a normal travel day that doesn’t rely on same-day completion of your artwork.

Should you book Break it and Make it in Everett?

I’d book this if you want a real creative output without being an expert glass artist. The combination of beginner-friendly instruction, a small group, and a setup that gives you materials plus firing makes it a solid value. You’re paying for both the fun part and the technical finishing step.

I’d think twice only if you’re the type who needs the final product immediately. Since your tile arrives by pickup or shipping in a few weeks, treat this as a two-step experience: make it now, enjoy it later.

If you want something different from the usual sightseeing loop around Seattle, this is a hands-on way to do it—one where you leave with a designed piece and the satisfaction of having made it yourself.

FAQ

How long is the glass fusing session in Everett?

The class lasts about 1 hour 30 minutes.

Where is the meeting point for the class?

It starts at FEELartistic Studio, 10333 19th Ave SE STE 101, Everett, WA 98208.

What do I make in the class?

You’ll create a 6-inch square contemporary fused glass piece.

Is this class for beginners?

Yes. The session is open to all, and it’s described as ideal for beginners and also for people who want a refresher after beginning classes.

Do I take my artwork home the same day?

No. The studio fires your piece after class, and it is ready for pickup or shipping in a few weeks.

What is the group size?

The experience has a maximum of 6 travelers.

What is the cancellation policy?

You can cancel for a full refund up to 24 hours before the experience starts. If you cancel less than 24 hours before, the amount paid is not refunded.